Conflict is the heartbeat of fiction—but not all conflict is created equal. External conflict drives your plot forward, while internal conflict drives your character’s growth. When you make those two forces feed each other, your story hits harder and lingers longer.
A novel isn’t a pile of words—it’s a chain of well-built scenes. This post breaks down the five parts of a powerful scene (from Inciting Incident to Resolution) and why scene craft is the difference between a draft and a publishable book.
Great fiction doesn’t come from easy wins—it comes from impossible choices. When your protagonist is forced to pick between two equally awful options, the story stops being about “victory” and starts being about what they’re willing to lose. That’s when stakes rise, true character is revealed, and readers stay glued to the page.
Writing fiction should make you feel something. If you’re not laughing, crying, or at least smirking at your own words, your readers won’t either. Emotional resonance starts with the writer. From cardboard characters to scenes that don’t belong, here are five reasons your story might be falling flat—and what to do about it.
A great antagonist isn’t a cartoon villain twirling a mustache—they’re someone who truly believes they’re right. The most compelling conflicts come when your villain’s goals clash with your hero’s in ways that feel uncomfortably relatable.
Every scene in your novel has to earn its keep. If it doesn’t shift a value, reveal character, or drive the plot forward, it’s nothing more than wallpaper—and readers don’t show up for wallpaper. Learn the three tests that will keep your story moving and your readers hooked.
Passive voice sneaks into even the sharpest manuscripts, draining life out of your prose and leaving it limp as wet cardboard. Learn how to spot the culprits—“was eaten,” “were taken,” and those sneaky “by” phrases—and flip them into strong, active sentences that keep readers hooked.
Stories without time pressure tend to meander. Add a deadline—a ticking clock—and suddenly characters have to act, risk, and choose. From thrillers to romances, nothing raises tension faster than running out of time.
If you’ve ever had a critique partner or an editor ask, “Wait, whose head are we in right now?” — congratulations. You’ve run into a POV problem.
Struggling with clunky conversations or over-the-top dialogue tags? Clean, compelling dialogue doesn’t just sound real — it works hard to reveal character, build tension, and move your story forward. Here’s how to write dialogue that earns its place on the page.
The editor-author relationship is professional and reciprocal: clear, honest feedback from the editor, and respect and understanding from the author. In the end, it’s your book — but professional editing comes with professional expectations.
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